III, iii, 37that he knows will plaque Othello. Even though he did it took them a very long time. He definitely causes Othello to question Desdemona's integrity.
III, iii, 51. The main impression the audience is given in the first scene in the play is Iago's self righteous resentment and anger towards the Moor and secondly Rodrigo's love of Desdemona; the way that Iago manipulate Roderigo's anger towards him and manipulate him in a way that Roderigo will later agree and adhere to anything Iago does or says is a good indication of what type of person Iago actually is.
Even if by now Othello was not jealous, Iago has put the idea in his head that there is something to be jealous about, which would no doubt turn him towards jealousy. By getting him drunk through his other technique of being cunning. Iago has succeeded in reducing Cassio to a pitiful state; a state in which he will be highly suggestible due to his desperation.
Iago will use their interaction to further extend his evil plot. But the main overall techniques he used were; 1 He gained the trust of people. In particular, we see in him an adolescent fascination with crudity.
I confess it is my shame to be so fond, but it is no in my virtue to amend it?. In his discourse to the Duke, Othello. I cannot think it that he would steal away so guiltylike. Through his suggestion to Cassio, Iago can now be certain that Cassio will entreat Desdemona to petition for him with Othello.
II, i,he convinces his impressionable cretin. However studying the play in more detail you become increasingly aware of Iago being the main focal point throughout the play.
He did things such as when Brabantio was outside talking and hearing news about his daughter, he could see, but there was another voice, talking and telling him about Othello his daughter Des. In each case, because he does not have to push very hard, he is able to maintain an air of apathy while promoting his ultimate malevolent goals: O, blood, blood, blood.
Artfully and cleverly, Iago is causing Othello to think that Cassio and his wife should not be talking. In his work he got what he wanted, and all by using his techniques, so they do work.
It is filled with religious words such as. I confess it is my shame to be so fond, but it is no in my virtue to amend it?. We learn from Emilia at the end of the play that Iago. Ok so those were the techniques that Iago used to manipulate others. Thus, as Iago was able to control Desdemona through her character flaw of good will, he is similarly able to bend Emilia to his purpose by exploiting her spousal devotion.
Each time she suggests. The most obvious of these is the handkerchief that is primarily given to Desdemona from Othello. Thus, as Iago was able to control Desdemona through her character flaw of good will, he is similarly able to bend Emilia to his purpose by exploiting her spousal devotion.
Desdemona's father shows this particular prejudice when he first finds out about his daughter's marriage even though as Othello states later on before that he and Brabantio were friends, as he says 'Her father loved me'.
He always when talking to that certain person said that he was on their side, making a false trust that the person believed, and therefore trusted him.
Iago takes advantage of both Cassio.
Iago is a master at manipulation. Iago also manipulates the undeserving devotion that Emilia shows him. Iago’s Use of Rhetorical Strategies to Manipulate Othello in Shakespeare’s Othello Words | 2 Pages. Iago’s Use of Rhetorical Strategies to Manipulate Othello in Shakespeare’s Othello Rhetorical strategies are continually used to get a point across or to manipulate another.
An Analysis of Iago's Manipulation of Each of the Characters in Othello. The essay describes in detail Iago's manipulation of Cassio, Desdemona, Emilia, Roderigo, and Othello.
From beginning to end Iago moves the characters of Othello as if they were chessmen. In Othello, Iago orchestrates Othello's downfall like a skillful playwright.
Iago's ultimate deception is not of Othello, Cassio, or Roderigo: it is of the audience. By refusing to tell Othello his motivations in Act 5, he is also refusing to tell us.
In Othello, Iago orchestrates Othello's downfall like a skillful playwright. Iago's ultimate deception is not of Othello, Cassio, or Roderigo: it is of the audience. By refusing to tell Othello his motivations in Act 5, he is also refusing to tell us.
The character of Iago, the antagonist in the tragedy Othello, instigates chaos, deception, and gross manipulation. He is the center of all the evil events in the play. He manages to completely deceive everyone by displaying an honest facade.
Iago's Manipulation of Characters in William Shakespeare's Othello Introduction The play 'Othello' was created by William Shakespeare. Othello is a tale set in Venice at .Iagos use of manipulation in shakespeares othello